Monday, March 18, 2013

Mise En Abîme


Step. Click. Step. Click. Step. Click

Justin Midna’s toes have had a tendency to crack with every step of his right foot since he can remember. They makes a clicking sound that usually doesn’t go unnoticed by others, so it’s something he’s always been a little self-conscious about.

Step. Click. Step. Click. Step. Click.

He steps onto the elevator, and hundreds of right feet finish that step with him. The walls are lined with mirrors, and as he presses the number 17, his many reflections do the same with him.

He is the only one standing here and now, but as he looks at the infinite reflections of himself, and as these reflections stare back at him, a peculiar feeling comes upon him. His reflections seem to be getting smaller and smaller until they reach a point where his eyes can’t reach. What lies beyond there? Is there a point where it ends? And does it end with a man, just like me, standing and staring at his infinite reflections? Is he wondering about me? Or is he just looking at himself in the mirror?

The doors open, and he steps out of this trance.

Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS   Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS   Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS   Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS    Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS  
 Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS   Step. Click. Step. Click. Step. Click.   .kcilC . petS .kcilC .petS .kcilC .petS   Step. Step. Step. Step. Step.   
  

Monday, March 11, 2013

Notes


Character

He’s tall and lanky. Hispanic? No, that is too obvious, you’re Hispanic. Maybe they wouldn’t notice. Maybe they would. You could describe him as tall, and they could infer whatever they want.

That’s a horrible description. Let’s not think about this for now.
(He’s male)

Story

What to write?

Just think. It all starts with a room: The outward-est outward description of the character. If it’s clean, he’s clean, if it’s dirty, he’s dirty. And if the knives are all jammed up into the garbage disposal, that’s a Freudian slip right there.
 
Room. A room has four walls

Just think, for instance if the room is dirty. And tiny. If the room is dirty and tiny he would need to have a shitty salary.
He still needs money to pay the room. And what does he eat?

A little piece of chicken here and there. Perhaps canned tuna? It’s better than nothing… His salary!

He works as a waiter good, but not quite
in a diner                        good good
during night shift!      Ah, more dramatic
or late afternoon        that’s more sensible

If he’s a waiter.
Average waiter’s annual salary:
18,000. Then divide that by 12.
18,000 /12= 1,500. Then divide that by 4.
                         1, 500/4= 375  and then
                                             375/24= 15.6, so
                                                                15.6/60= .260 (should I round this number?), huh
                                                                              .260/60= .0043

I don’t know what this means. I hate math. Let’s forget about it. This person is of “low income”, no further explanations. Let’s forget about math.

 But imagine that…
                                    .260 cents per minute.
                                   .260 cents that buy (approximately) seven minutes in a shitty apartment. Imagine that
cents for a room
      and the room is important
                         extremely important.
Tuna is too.
Tuna.
Ramen too, actually. It contains all sort of things.   
Then again, let's better not include noodles.  Or eat them. Ever.      
Tuna.
                           By itself: what feeds this person.

 A room without food makes no sense. 
It needs a window also.
               With          a bathroom
                                  and  a view is
essential.

There should be mountains.
Then again .260 cents are, in all likeliness, not enough for that.
There could be a street. With a huge tree looming over
the neighbor’s house. He would look at it from
the window and wonder and measure in his head
the probabilities of it falling d
                                                        o
                                                        w
                                                        n
               top
on          of his room.

This is better. It is.
No mountains. Just a street. Houses lining both sides of it, each with two rooms and slightly different/same views.

.260 cents for seven minutes in a room
 15 times 365 and
.260 for five minutes? NO! wait. Not quite. Let’s forget about math.

Who cares
Who cares about a sofa, or a duvet, or a chaise lounge. 
There could be a bean bag. But no.
As long as there’s a chair and a table. A fully functioning chair to sit in. To think in. to cry in. Maybe jack off in. Who knows?

And the walls. There must be
                 Wallpaper too.
With stripes of different colors to make him feel like he’s inside a circus.
He likes the circus.

And kitchen tiles! With little roses on them. No wait, he wouldn’t like that. With bulls, and a swan, and an elephant somewhere.

Blue on white. It helps to soothe his soul. The blue elephant, especially.
                             He counts them everyday, when he’s bored.
                                                                                   And he’s bored everyday.
There are 24 blue elephants

in his dirty apartment with a window, and a view to the street. There are bugs too, crawling on the window glass. He hopes they’re outside. But then he sees one of them crawling worming it’s way on top of the blue (on white) elephant.

Must be July or August. Warm as hell. Perspiration sticking the clothes to his body.
                                                                                       Perspiration acting like glue.

And the bugs! They’re everywhere. Little wings fluttering in the stagnant air.     


                              He should not care about the bugs. In fact, what bugs?! But then a 
Logically             one flies too close for comfort and his body shakes like a leaf. He gets
                               caught up in thinking about insects and the way they crawl. It’s a
                              vicious circle.

That’s it that’s it. There will be an important scene with the insects and the tiles and the elephant that’s it.
                                                                               

And of course there’s no way out.
There is no door.

And nobody there to see it
Not a single one.

Just a chair and a table and the walls with wallpapers,
                    and the tiles with blue elephants.
                    And the .260 cents that buy him some minutes. Then seconds.
                                                                                                                Then nothing.     

Monday, March 4, 2013

A Cheap Guide to ________________: A Recipe By Ingredients


First, write down available items on a list titled "Ingredients At Hand".

Ingredients at hand

1 Last night’s dreams
1 full-functioning wi-fi connection
2 lemons
3 cups of flour
1 small onion (finely diced)
1 mixing bowl
2 febreze
3 pinch logic
1 Reality
8 oz random normative sentences to fill up space
3 oz recycled ideas from other works/conversations/movies/books
12 oz surreal/existential/hyperrealist images
3 scoops of anxiety
2 Holy Fathers
Wine (or alcohol in general)
1 clove minced Title
3 traumatizing moments buried in unconscious
1 lighter
11 dirty plates

NECESSARY INGREDIENTS
Salt/Pepper
1 Tomato sauce
1 handful of mushrooms
2 ungreased cookie sheets
1 working oven

 Make sure NOT to include

1)   Adverbs to the mix.
2)
3)
4)
5)

Second, replace blank spaces with the desired (more appropriate) ingredients. Engage in note-taking as you advance. Results will improve with time.


PREPARATIONS


Primer paso: Take Reality by its ends and wring it out. Make sure to be standing somewhere near a sink or bucket, as logic tends to leave stains. After reality has been sufficiently drained, hang it somewhere nearby. Wipe the residue off your hands. 

Segundo paso: take different hetero-, patriarchal-, religious-, logic-normative sentences in your hands and chop them up into little pieces. You don’t have a knife, so be ready for the upcoming carnage.

Tercer paso: Enjoy the carnage.  

Cuarto paso: Mix the dismembered words with tomato sauce and mushrooms. This way you can hide the stench emanating from the previous slaughter. Add salt and pepper (to taste).

Quinto paso: Wipe your hands with Reality. Cover mix and let it sit for about half an hour, or a day or two (it all depends on what you want the end result to be). You can use this time in whatever way you please. You can log in your different options here:

1)   Get drunk
2)   Procrastinate Research for whisking techniques online
3)   Buy stuff in the internet
4)   Regret having bought stuff on the internet
5)   Stand quietly (and creepily) in a corner until someone is scared shitless finds you.
6)   Panic
7)   Think about starting over and using a different approach.
8)   Call your mom for a simpler recipe.
9)   Write your mom’s simple recipe down.
10) Throw it in the garbage
11) Panic
12) Go dumpster diving for it the next day.
13) Finding it amongst all the other trash.
14) Throwing it back again.
15) Repeat numbers one and two.
16)                  
17)                  
18)                  
19)                  
20)                  

INSTRUCTIONS

Uno: After you’re done with preparations. Take the gooey, end-result of your mixing process, and smell it. Weight it in your hand. Stare at it for a while.

Depending on how long you’ve let it sit, you’ll notice differences in texture/smell/edibility. Try not worrying about the mess you’re holding in your hands, and continue on to the next step.

Dos: Preheat oven to 200 degrees (C). Look for Fahrenheit conversion tables on the internet. Mess them up out of confusion.

Tres: Roll out mass on floured surface. Once its sufficiently thin, cut in different amorphous shapes. Since you don’t have cookie cutters, put your whole mind into this task. Place the end results (one inch apart from each other) on ungreased cookie sheets.

Tres y medio: Wonder (once again) whether this will really work.

Cuatro: Place the sheets inside the oven and let them bake for a while.

Note: Length of time varies with person, day, time, location, height, amount of letters used, whether or not adverbs where really used, whisking method, mental disposition, and the amount of pets trying to hump your legs at the moment.

Cinco: Once you’re adequately, and abundantly (but really, doubtfully) ready, take the sheets out of the oven.

Cinco y Medio: Eat the whole thing. Somehow, the whole process has made you hungry.

Seis: Clean the mess with Reality and bring it to class the next day.  Make sure to use a complex/ambiguous title to hide the mediocre catch their attention.

Siete: Lie and talk about the process. Make them see how capable you are. Remember, this raggedly, unshapely, lovely scrap of deformed twist of reality was your intention all along.

Note: If all fails, forget about recipes. Use thE lighter and set Reality on fire from the start. Watch it spark and crumble as you wait for the “ooohhhss” and “aaahhhss”. Results might not be what you expect the first couple of times.