Character
He’s tall and lanky. Hispanic? No, that is too obvious,
you’re Hispanic. Maybe they wouldn’t notice. Maybe they would. You could
describe him as tall, and they could infer whatever they want.
That’s a horrible description. Let’s not think about this
for now.
(He’s male)
Story
What to write?
Just think. It all starts with a room: The outward-est
outward description of the character. If it’s clean, he’s clean, if it’s dirty,
he’s dirty. And if the knives are all jammed up into the garbage disposal,
that’s a Freudian slip right there.
Room. A room has four walls
Just think, for instance if the room is dirty. And tiny. If
the room is dirty and tiny he would need to have a shitty salary.
He still needs money to pay the room. And what does he eat?
A little piece of chicken here and
there. Perhaps canned tuna? It’s
better than nothing… His salary!
in a diner good good
during night shift!
Ah, more dramatic
or late afternoon
that’s more sensible
If he’s a waiter.
Average waiter’s annual salary:
18,000. Then divide that by 12.
18,000 /12= 1,500. Then divide that by 4.
1, 500/4= 375 and then
375/24= 15.6, so
15.6/60= .260 (should I round this number?), huh
.260/60= .0043
I don’t know what this means. I hate math. Let’s
forget about it. This person is of “low income”, no further explanations. Let’s
forget about math.
But imagine that…
.260 cents
per minute.
.260 cents
that buy (approximately) seven minutes in a shitty apartment. Imagine that
cents for a room
and the room is
important
extremely important.
Tuna is too.
Tuna.
Ramen too, actually. It contains all sort of things.
Tuna.
By itself: what feeds this person.
A room without food makes no sense.
It needs a window also.
With a bathroom
and a view is
essential.
There should be mountains.
Then again .260 cents are, in all likeliness, not enough for
that.
There could be a street. With a huge tree looming over
the neighbor’s house. He would look at it from
the window and wonder and measure in his head
the probabilities of it falling d
o
w
n
top
on of his
room.
This is better. It is.
No mountains. Just a street. Houses lining both sides of it,
each with two rooms and slightly different/same views.
.260 cents for seven minutes in a room
15 times 365 and
.260 for five minutes? NO! wait. Not quite. Let’s forget about math.
Who cares
Who cares about a sofa, or a duvet, or a chaise lounge.
There could be a bean bag. But no.
As long as there’s a chair and a table. A fully functioning
chair to sit in. To think in. to cry in. Maybe jack off in. Who knows?
And the walls. There must be
Wallpaper too.
With stripes of different colors to make him feel like he’s
inside a circus.
He likes the circus.
And kitchen tiles! With little roses on them. No wait, he
wouldn’t like that. With bulls, and a swan, and an elephant somewhere.
Blue on white. It helps to soothe his soul. The blue
elephant, especially.
He counts them everyday, when he’s
bored.
And he’s bored everyday.
There are 24 blue elephants
in his dirty apartment with a window, and a view to the
street. There are bugs too, crawling on the window glass. He hopes they’re
outside. But then he sees one of them crawling worming it’s way on top of the blue (on
white) elephant.
Must be July or August. Warm as hell. Perspiration
sticking the clothes to his body.
Perspiration acting like glue.
He should not care about the bugs. In fact, what bugs?! But then a
Logically
one flies too close for comfort and his body shakes like a leaf. He gets
caught up in
thinking about insects and the way they crawl. It’s a
vicious circle.
That’s it that’s it.
There will be an important scene with the insects and the tiles and the elephant
that’s it.
And of course there’s no way out.
There is no door.
And nobody there to see it
Not a single one.
Just a chair and a table and the walls with wallpapers,
and
the tiles with blue elephants.
And
the .260 cents that buy him some minutes. Then seconds.
Then nothing.
I always enjoy your experimentation with punctuation, and I think the links move the story forward real well
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